"As a rule, only rich white people can afford to get deeply existential; enjoying a dark night of the soul is like buying a second home or hiring someone to tutor your child for the SATs. That's what I loved about Huckabees: It's like a completely sincere, giddy movie made to be screened at David O. Russell's bar mitzvah."
An incomplete (but growing) collection of the "beloved and irresponsible" film critic's work for Premiere magazine that hasn't already been compiled in book form.
To read the columns from Premiere on this blog, click on any scanned page, then right-click to download it as a JPEG that can be magnified on your desktop so you don't get a headache squinting at all of Libby's great one-liners. (Alternately, you can right-click to open a page in a new tab on your browser and magnify it that way.) I never worked for Premiere, so if you're a copyright owner and would like Libby's columns to be removed from this blog, please contact me at rwcass@gmail.com. They're meant for informational purposes only, I promise. (Well, they're also meant to make you laugh, but you get the idea.)
Showing posts with label 2004. Show all posts
Showing posts with label 2004. Show all posts
October 2004: "High Anxiety"
"The Freudian urge behind all robot movies is, of course, everyone's desperate desire to own slaves without guilt. The paranoia of I, Robot is that someday a food processor will write a version of Roots proclaiming the evil of Westinghouse or Mitsubishi."
July-August 2004: "Kill, Libby, Kill!"
"I totally identified with Uma because after she dismembers someone, she checks off her accomplishment on a list, just the way I do when I return calls or pick up the dry cleaning. Uma is a Martha Stewart-style assassin, because she's strict, blond, organized, and always at least a little furious."
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